|Photo by Siim Vahur|
First manufactured in 1981, the Minolta X-700 is a single lens reflex camera. It has manual, aperture priority and programmed automatic exposure modes when used with MD lenses. MC lens can be used in aperture priority and manual modes. An immediate commercial success for Minolta, it was awarded the EISA "Camera of the Year" award in 1981 and was continually produced until 1999, well into the autofocus era. The camera is the last manual-focus camera body Minolta produced.
Here's a review on Minolta X-700 camera by Michael Werneburg:
A fun and versatile camera from the 80's
The 80's was the period in camera technology when all-metal construction gave way to plastic bodies and electronics. An early example of this was the award-winning Minolta X-700, a camera that stayed on the market for nearly twenty years. That's a long life for an electronics product, and there's a reason. The X-700 was an inexpensive and useful camera that encourages photography.
|Photo by Alvaro Munoz-Aycuens Mtnz.|
Easy to use
An X-700 allows newcomers to put the camera and lens in "P" mode and let the camera do everything else. This extends to compatible flash systems as well. In short, this camera allows you to automate everything but the focus and the film advance.
The controls are all very much self-evident with this camera, as well. There's no menu system on an LCD and no tricky button combinations. It's all manual and all laid out very well—very much the opposite of today's DSLR's (which typically have a user interface more reminiscent of a photocopier).
The viewfinder is a big bright one with a lot of information laid out in a logical fashion. This camera spoils the user.
The X-700 also has the standard aperture-priority and manual exposure modes, as well as a flash sync speed and bulb. It's got two exposure override features (a lock and a manual adjustment of +2/-2). It takes a wide range of film speeds. And it supports an enormous collection of lenses and other peripherals. It was designed as a "camera system" rather than a standalone camera and many of the peripherals can still be found (cheaper than ever, in some cases).
So once you've outgrown simple "P" mode automation, you'll find yourself able to take yourself a lot further with this versatile tool.
I've had only one problem with my two X-700 bodies over the years. This is a well-made camera (don't let the made-in-China label on later models give you pause, Minolta was known for excellent camera manufacture and they kept the standards the same at the Chinese assembly line). The one problem I encountered was both a simple and cheap fix—in part because Minolta sold so many of these cameras that the parts and repair expertise are not uncommon.
I have used both Minolta and Pentax bodies and feel that this model was the best-built and most dependable despite the many features.
This inexpensive camera has not only the exposure overrides mentioned above, but a depth-of-field preview, timer and a cable release socket. Again, there are plenty of extensions available such as grips, motors, data backs, flashes, etc.
Handy "P" mode
The program mode is great for beginners.
I've used this camera on mountain hikes; in the Australian outback; in the south Pacific; in rain forests; on long cycle trips; for portraiture; with infra-red film (for which it is really suited); with reverse-mounted lenses; in the rain; in sub-zero weather (for which I will admit that its battery-dependence is not well suited); and in terrible snowstorms. I took it on the road for a 19-month journey. I found that this camera not only stood up to all of it but came to feel like an extension of my hand—it's an easy camera to appreciate because all of its functions just work.
The meter in this camera seems a bit limited. As my understanding of exposure grew I came to understand that the camera was giving me inconsistent results. I put this down to the meter, though I never entirely figured out where it was going wrong. I lay the blame with the meter, however, when I started to use the Minolta XD (with the same films, lenses, flash, etc).
It seems to me that the X-700 tends to underexpose, and the results get less predictable under low-light situations. To avoid this, I suggest two things:
- use with a flash in low-light unless you have a way to independently meter and can adjust
- bracket your shots using the exposure adjustment
The camera's external body is largely constructed of plastic, and doesn't look like the dependable and versatile tool that it really is. If you care what people think of your gear, this isn't the camera you want to carry around.
Michael Werneburg is a director and business man who's living in Toronto, Ontario, Canada. He's also a traveler who's lived in Australia and Japan. Werneburg likes to build things, take photos, and write about his thoughts and experiences, and then share them on his website at emuu.net. This original article was published on his website here.